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Manual-2
Rear Panel Hook-up
Power
e TTM 56S features an internal
universal switching power supply that
operates on any AC mains 100 to 240
VAC, 50 or 60 Hz (most places in
the world). All that is required when
traveling is the appropriate IEC line
cord available in each country. e
universal supply is a major plus for the
traveling DJ. e POWER switch is
just above the power connector. You
know what to do with this, but leave it
o until everything is connected.
Inputs
PGM 1 and PGM 2 each have two
inputs, each assignable PHONO or
LINE. For a turntable input with
RIAA compensation, push the cor-
responding switch up to PHONO. For
all other sources such as CD or MP3
players, push the corresponding switch
down to LINE.
PHONO GROUNDS provide
independent ground connect points
for turntables. It is very important
that each turntable have a very good
ground connection to one of these
terminals. e thumbscrews will come
o if they are over-rotated, so be care-
ful not to spin them o and lose them.
AUX IN may be used with a drum
machine, groovebox, sampler, or
another mixer’s output for session mix.
is Input is mixed after the Cross-
fader and FlexFX loop.
MIC INPUT is a balanced input
specically designed for a dynamic mic
(a condenser mic will not work).
1-CONDUCTOR SHIELDED CABLE
1-CONDUCTOR SHIELDED CABLE
T = SEND
R = RETURN
S = SHIELD
++
SEND
RETURN
++
SHIELD SHIELD
SHIELD
Send/Return Cable Wiring (Insert Cable)
AUX
PHONO
GROUNDS
POWER
PGM 1
PGM 2
4
3
2
1
4
4
3
3
2
2
1
1
4
3
2
1
100-240V
50/60 Hz
20 WATTS
ACN 001 345 482
MADE IN U.S.A.
RANE CORP.
U.S. PATENT 6,813,361
OUT
IN
OUT
IN
MIC
BALANCED
MASTER
OUTPUTS
R
L
R
L
R
L
R
L
R
L
R
L
LINE
PHONO
TTM 56S
COMMERCIAL AUDIO
EQUIPMENT 24TJ
R
EFFECTS
SEND
UNBALANCED
FlexFX
RETURN
TIP = SEND
RING = RTN
BALANCED
4321
O
N
Effects Loops
MIC EFFECTS insert jack is unbal-
anced. It is wired for ¼" TRS, mean-
ing Tip=Send, Ring=Return and the
Shield or Sleeve. is is an indepen-
dent Eects Loop for the Mic. ere is
no engage switch, so the Mic signal is
always processed when you have a plug
inserted and an eects box connected.
If you are connecting to an eects pro-
cessor with a Send/Return (sometimes
called Insert) jack, a single TRS cable
will work. If your eects processor has
separate Send and Receive jacks, you
need a “Y” cable. You can buy a Send/
Return cable from your local music
store, or you can make one of your
own as shown below.
FlexFX EFFECTS jacks are unbal-
anced mono ¼" TS (Tip and Sleeve).
is stereo loop is used for output
to (send) and input from (return) an
eects processor. e SEND jacks pro-
vide the output to your eects proces-
sor. e RETURN jacks provide input
for the signal returning from your
eects processor. If you have an eects
device with a single ¼" TRS, tip=send,
ring=return jack, you need a “Y” cable,
as shown below.
Outputs
AUX OUT may be used for recording,
booth monitoring, a second playback
zone, or connecting another mixer for
session mix. AUX OUT is the same
signal as the Master Mix with its own
Level control.
MASTER OUT includes two sets
of stereo outputs: e ¼" TRS jacks
provide balanced (Tip-Ring-Sleeve)
output. Use this balanced output
whenever driving equipment with a
balanced input, or when running dis-
tances greater than 10 feet (3 meters).
Never use a mono ¼" Tip/Sleeve (no
ring) plug in this jack. Use the RCA
unbalanced outputs for shorter runs
connecting to unbalanced devices. See
the RaneNote “Sound System Inter-
connection” if you need to convert
between balanced and unbalanced or
run long distances.